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碾金機

所屬分類：産品中心發布時間：2019-05-28

長樂機械生産碾金機特點：
碾金機主要通過對原料的攪拌,滾壓,破碎,滾壓反複進行後達到水份均衡、配比均勻、含氣量低，提高成型率和成型質量，通過碾金機碾的料成型的産品，具有密度高、強度好、無氣孔比例重等特點。高效節能，産出量高，長樂機械廠生産的碾金機主要用于是物料被破碎之後，再進行粉碎的設備。它廣泛應用于選金，選钼，水泥，矽酸鹽制品，稀有色金屬選礦以及玻璃陶瓷等生産行業，對各種礦石和其它可磨性物料進行幹式或濕式粉磨。一切球磨機可以選的礦，碾金機都可使用。

長樂機械生産的碾金機，又稱濕碾機，電碾子。因其投資小，産量高，各項生産費用低、效益好，已等地大面積推廣使用，深受用戶好評。且碾金機安裝維護方便、投資小、産量高、見效快、生産費用低，是礦區中小企業選礦的理想設備。
长乐机械服务承诺：售前服务，为您提供项目设计、工艺流程设计，适合您的机器设备选购方案的制定，根据您的特殊需求，设计制造产品，为您培训技术操作。

碾金機的主要技術參數

型號	規格	進料粒度	转速转/分	配用功率	機重(t)
1200A型	1200×200×80×270±20mm	＜30mm	10-13	Y6極7.5kw	5.5
1200B型	1200×180×80×250±20mm		10-13	Y6極7.5kw	5.2
1100A型	1100×200×80×270±20mm		10-13	Y6極7.5kw	5.0
1100B型	1100×180×80×250±20mm		10-13	Y6極5.5kw	4.7
1000型	1000×180×80×250±20mm		10-13	Y4極5.5kw	4.5
900型	900×140×60×200±20mm		10-13	Y4極5.5kw	3.0

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They were off at an early hour, and, as before, their route was along the Tokaido. The provisions and other things had been sent on ahead during the night, and they did not see them until they came to the place where they were to sleep. They took a light meal before starting from Yokohama, and found a substantial breakfast waiting for them at Totsooka. Their host was a famous character in the East—an English actor who had drifted through China and Japan, and finally settled down here as a hotel-keeper. LII SAME BOOK AND LIGHT-HEAD HARRY "Now, Charlotte, my dear," began Miss Harper, "you are too terribly tired to--why, where is Charlotte; did she not come in with us from the--gate?" They were facing one another now. The doctor swallowed hard several times, and he felt the blood tingling in his temples. The dreaded moment had come. He had got to see this strange instrument that distinguished the Clockwork man from ordinary mortals. There was no shrinking from the eerie experience. Underneath that borrowed hat and wig there was something—something utterly strange and outside the pale of human ingenuity. In the name of common humanity it was incumbent upon the Doctor to face the shock of this revelation, and yet he shrunk from it like a frightened child. He felt no[Pg 160] trace of curiosity, no feverish anxiety to investigate this mystery of the future. His knees trembled violently. He did not want to see the clock. He would have given a hundred pounds to be spared the ordeal before him. "You have said that before." Bruce replied irritably. "What I am thinking about at present is my own awkward position. Shall I go to the police and tell them everything or shall I respect confidence?" "Having gone so far, the rest is easy. And this is where my scheme comes in again. Bruce has to take his coat off. In the guise of the Spanish lady--a slight variation of my mysterious woman--you hang his coat up carefully in a closet for him. You knew that ￡200 in notes was in that pocket, notes that Bruce had come by quite honestly. The rest is easy." CHAPTER VII Some more small boys, a little way off, were doing embroidery, mingling gold thread and coloured silks in patterns on shawls. They were extremely fair, with long-shaped black eyes under their bright-hued pointed caps, and their dresses were gay and pretty, mingling with the glistening shades of silks and gold. And they were all chattering, laughing, and twittering as they worked, hardly needing the master's supervision. But before the dissolving action of Nominalism had become fully manifest, its ascendency was once more challenged; and this time, also, the philosophical impulse came from Constantinople. Greek scholars, seeking help in the West, brought with them to Florence the complete works of Plato; and these were shortly made accessible to a wider public through the Latin translation of Ficino. Their influence seems at first to have told in favour of mysticism, for this was the contemporary tendency to which they could be most readily affiliated; and, besides, in swinging back from Aristotle’s philosophy to the rival form of spiritualism, men’s minds naturally reverted, in the first instance, to what had once linked them together—the system of Plotinus. Thus Platonism was studied through an Alexandrian medium, and as the Alexandrians had looked at it, that is to say, chiefly under its theological and metaphysical aspects. As such, it became the accepted philosophy of the Renaissance;369 and much of what we most admire in the literature—at least the English literature—of that period, is directly traceable to Platonic influence. That the Utopia of Sir Thomas More was inspired by the Republic and the Critias is, of course, obvious; and the great part played by the ideal theory in Spenser’s Faery Queen, though less evident, is still sufficiently clear. As Mr. Green observes in his History of the English People (II., p. 413), ‘Spenser borrows, in fact, the delicate and refined forms of the Platonic philosophy to express his own moral enthusiasm.... Justice, Temperance, Truth are no mere names to him, but real existences to which his whole nature clings with a rapturous affection.’ Now it deserves observation, as illustrating a great revolution in European thought, that the relation of Plato to the epic of the English Renaissance is precisely paralleled by the relation of Aristotle to the epic of mediaeval Italy. Dante borrows more than his cosmography from the Stagirite. The successive circles of Hell, the spirals of Purgatory, and the spheres of Paradise, are a framework in which the characters of the poem are exhibited, not as individual actors whom we trace through a life’s history, but as types of a class and representatives of a single mental quality, whether vicious or virtuous. In other words, the historical arrangement of all previous poems is abandoned in favour of a logical arrangement. For the order of contiguity in time is substituted the order of resemblance and difference in idea. How thoroughly Aristotelian, indeed, were the lines within which mediaeval imagination moved is proved by the possibility of tracing them in a work utterly different from Dante’s—the Decameron of Boccaccio. The tales constituting this collection are so arranged that each day illustrates some one special class of adventures; only, to make good Aristotle’s principle that earthly affairs are not subject to invariable rules, a single departure from the prescribed subject is allowed in each decade; while370 during one entire day the story-tellers are left free to choose a subject at their own discretion. Soon Jeff dropped low, diminished the throb of the engine, cruising while Larry kept watch. 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